The Guardian view on climate fiction: no longer the stuff of sci-fi | Editorial
A new prize recognises the power of storytelling to address the biggest issue of our timeNo novelist should ignore the climate emergency, Paul Murray, author of the bestselling novel The Bee Sting, told the Observer last year: “It is the unavoidable background for being alive in the 21st century.” In recognition of the vital role of literature in responding to the Anthropocene moment, this week the inaugural shortlist was announced for the Climate Fiction prize.The five novels include Orbital by Samantha Harvey, set during one day on the International Space Station and the winner of last year’s Booker prize; time-travelling romcom The Ministry of Time from debut novelist Kaliane Bradley; eco-thriller Briefly Very Beautiful by Roz Dineen; And So I Roar, about a young girl in Nigeria, by Abi Daré; and a story of migrants in an abandoned city in Téa Obreht’s The Morningside. All the shortlisted authors are women. Continue reading...
A new prize recognises the power of storytelling to address the biggest issue of our time
No novelist should ignore the climate emergency, Paul Murray, author of the bestselling novel The Bee Sting, told the Observer last year: “It is the unavoidable background for being alive in the 21st century.” In recognition of the vital role of literature in responding to the Anthropocene moment, this week the inaugural shortlist was announced for the Climate Fiction prize.
The five novels include Orbital by Samantha Harvey, set during one day on the International Space Station and the winner of last year’s Booker prize; time-travelling romcom The Ministry of Time from debut novelist Kaliane Bradley; eco-thriller Briefly Very Beautiful by Roz Dineen; And So I Roar, about a young girl in Nigeria, by Abi Daré; and a story of migrants in an abandoned city in Téa Obreht’s The Morningside. All the shortlisted authors are women. Continue reading...
