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“I Wanted to Make Sure the Energy of the Place Was Preserved”: Editor Chelsi Johnston on Sunfish
In Sierra Falconer’s debut feature Sunfish (& Other Stories on Green Lake), the lives of strangers intertwine at the Northern Michigan location, a place where time seems to move more slowly. Sunfish is editor Chelsi Johnston first editor credit on a fiction feature after working further below the line on productions including Karyn Kusama’s The Invitation and Aaron Sorkin’s Being the Ricardos. Below, she discusses the importance of preserving the film’s location in the edit and finessing the beginning of the film. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor […] The post “I Wanted to Make Sure the Energy of the Place Was Preserved”: Editor Chelsi Johnston on Sunfish first appeared on Filmmaker Magazine.
In Sierra Falconer’s debut feature Sunfish (& Other Stories on Green Lake), the lives of strangers intertwine at the Northern Michigan location, a place where time seems to move more slowly. Sunfish is editor Chelsi Johnston first editor credit on a fiction feature after working further below the line on productions including Karyn Kusama’s The Invitation and Aaron Sorkin’s Being the Ricardos. Below, she discusses the importance of preserving the film’s location in the edit and finessing the beginning of the film. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor […] The post “I Wanted to Make Sure the Energy of the Place Was Preserved”: Editor Chelsi Johnston on Sunfish first appeared on Filmmaker Magazine.
