“A Feeling of Endless Night”: DP Arseni Khachaturan on April
In April, the sophomore feature from Georgian filmmaker Dea Kulumbegashvili, a small-town obstetrician (Ia Sukhitashvili) comes under scrutiny when a baby dies during delivery. The investigation, spearheaded by the father of the deceased infant, threatens to also expose the young woman’s clandestine abortion operation. Cinematographer Arseni Khachaturan tells Filmmaker about shooting a live birth scene, her recurring collaboration with Kulumbegashvili and the team’s naturalistic approach to lighting. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your […] The post “A Feeling of Endless Night”: DP Arseni Khachaturan on April first appeared on Filmmaker Magazine.
In April, the sophomore feature from Georgian filmmaker Dea Kulumbegashvili, a small-town obstetrician (Ia Sukhitashvili) comes under scrutiny when a baby dies during delivery. The investigation, spearheaded by the father of the deceased infant, threatens to also expose the young woman’s clandestine abortion operation. Cinematographer Arseni Khachaturan tells Filmmaker about shooting a live birth scene, her recurring collaboration with Kulumbegashvili and the team’s naturalistic approach to lighting. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your […] The post “A Feeling of Endless Night”: DP Arseni Khachaturan on April first appeared on Filmmaker Magazine.
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