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Women behind the lens: ‘I fish like a woman, not like a man’
A photograph of Milagros ‘Corito’ Molina and her sons is part of a project exploring how a group of Venezuelan women went from weaving nets to using themA woman on board a boat is a sign of bad luck; and if she is on her moon, bleeding, the sea gets angry. This is just one of the many superstitions of seafarers on the Venezuelan coast. But the economic, social and migration crisis has led to a change: a feminisation of fishing, traditionally a masculine activity. We, the all-woman Solunar collective, combine photography, local knowledge, journalism, anthropology and feminist activism to map this development, especially in the states of Aragua, La Guaira and Falcón.The project, Luna de Agua, or Water Moon, touches on the natural cycles that affect the fisherwomen’s lives, such as lunar phases and tides, and cycles of the body. It speaks too, to the country’s economic crisis.Andrea Hernández Briceño is a journalist and photographer based in Caracas and a 2024 Women Photograph grantee. The Solunar collective is an interdisciplinary team brought together by Hernández Briceño, Freisy González and Lety Tovar with support from Vist Projects Continue reading...
A photograph of Milagros ‘Corito’ Molina and her sons is part of a project exploring how a group of Venezuelan women went from weaving nets to using them
A woman on board a boat is a sign of bad luck; and if she is on her moon, bleeding, the sea gets angry. This is just one of the many superstitions of seafarers on the Venezuelan coast. But the economic, social and migration crisis has led to a change: a feminisation of fishing, traditionally a masculine activity. We, the all-woman Solunar collective, combine photography, local knowledge, journalism, anthropology and feminist activism to map this development, especially in the states of Aragua, La Guaira and Falcón.
The project, Luna de Agua, or Water Moon, touches on the natural cycles that affect the fisherwomen’s lives, such as lunar phases and tides, and cycles of the body. It speaks too, to the country’s economic crisis.
Andrea Hernández Briceño is a journalist and photographer based in Caracas and a 2024 Women Photograph grantee. The Solunar collective is an interdisciplinary team brought together by Hernández Briceño, Freisy González and Lety Tovar with support from Vist Projects Continue reading...
