![From Gas Station to Google with Self-Taught Cloud Engineer Rishab Kumar [Podcast #158]](https://cdn.hashnode.com/res/hashnode/image/upload/v1738339892695/6b303b0a-c99c-4074-b4bd-104f98252c0c.png?#)
“Let the Weight of the Words Carry the Scene”: DP Bao Nguyen on The Stringer
Nick Ut’s Pulitzer Prize–winning photo The Terror of War, sometimes referred to as “Napalm Girl,” is one of the most recognizable photographs ever taken. The Stringer, directed by Bao Nguyen (The Greatest Night in Pop) and playing the 2025 Sundance Film Festival’s Premires sections, investigates the history of the photograph and contests its authorship. Nguyen also served as one of three cinematographers on the film, alongside Andrew Yuyi Truong. Below, the three of them answer discuss establishing a consistent visual language and connecting the themes of secrecy and discovery with shadow and light. See all responses to our annual Sundance cinematographer […] The post “Let the Weight of the Words Carry the Scene”: DP Bao Nguyen on The Stringer first appeared on Filmmaker Magazine.
Nick Ut’s Pulitzer Prize–winning photo The Terror of War, sometimes referred to as “Napalm Girl,” is one of the most recognizable photographs ever taken. The Stringer, directed by Bao Nguyen (The Greatest Night in Pop) and playing the 2025 Sundance Film Festival’s Premires sections, investigates the history of the photograph and contests its authorship. Nguyen also served as one of three cinematographers on the film, alongside Andrew Yuyi Truong. Below, the three of them answer discuss establishing a consistent visual language and connecting the themes of secrecy and discovery with shadow and light. See all responses to our annual Sundance cinematographer […] The post “Let the Weight of the Words Carry the Scene”: DP Bao Nguyen on The Stringer first appeared on Filmmaker Magazine.
