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“Any Type of Work Has Things to Teach”: Editor Geoffrey Boothby on Didn’t Die
Meera Menon’s 2025 Sundance Film Festival Midnights selection follows Vinita, a snarky podcast host in a post-apocalyptic world dealing with a philandering ex, traumatized siblings, and a dwindling audience. The film is a low-budget, black-and-white homage to George Romero updated for contemporary anxieties. Geoff Boothby served as the film’s editor. Below, he talks about cutting in placeholders that allowed for future shoots to be carefully designed and how choices of what equipment to use in the shoot reverberate in the edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the […] The post “Any Type of Work Has Things to Teach”: Editor Geoffrey Boothby on Didn’t Die first appeared on Filmmaker Magazine.
Meera Menon’s 2025 Sundance Film Festival Midnights selection follows Vinita, a snarky podcast host in a post-apocalyptic world dealing with a philandering ex, traumatized siblings, and a dwindling audience. The film is a low-budget, black-and-white homage to George Romero updated for contemporary anxieties. Geoff Boothby served as the film’s editor. Below, he talks about cutting in placeholders that allowed for future shoots to be carefully designed and how choices of what equipment to use in the shoot reverberate in the edit. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the […] The post “Any Type of Work Has Things to Teach”: Editor Geoffrey Boothby on Didn’t Die first appeared on Filmmaker Magazine.
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